![]() Typically, if when using an LA‑2A you find you want more control, you’d turn to a different sort of compressor altogether or use the LA‑2A along with something else it’s often partnered with an 1176, for example. For instance, it offers very little by way of control over the attack and release timings or ratio. ![]() But, while its operational simplicity and relatively relaxed optical compression can be just the ticket in some scenarios, in others they can render it of more limited use. At heart, it models the same hardware as Slate’s FG‑2A, but Custom Opto’s tweaks make it useful on so many more sources!īack in SOS June 2021, I reviewed Slate Digital’s FG‑2A compressor plug‑in, and judged it to be amongst the best software emulations of the Urei/Teletronix LA‑2A tube opto hardware currently available.Īs I explained in that review, there’s an awful lot to love about the LA‑2A, not least the subtle enhancement that it seems to deliver alongside the compression.
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